Under The Dome by Stephen King

Stephen King worked on this 1,000 page massive book for over 20 years. He had started it, put it down, then worked on it some more, then put it down. Well it's finally here. In a couple of days there will be several people getting this 1st edition book that is insane in size and scope...and is a natural recommendation for new Stephen King fans and old fans alike. A supernatural look at what could be our future is now here...from the master of horror.

Here is a review of Under The Dome by Stephen King from Amazon.com:

On an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when--or if--it will go away.

Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens--town newspaper owner Julia Shumway, a physician's assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing--even murder--to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn't just short. It's running out.



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True Grit by Charles Portis

Charles Portis has long been acclaimed as one of America's foremost comic writers. True Grit is his most famous novel--first published in 1968, and the basis for the movie of the same name starring John Wayne. It tells the story of Mattie Ross, who is just fourteen years of age when a coward going by the name of Tom Chaney shoots her father down in Fort Smith, Arkansas, and robs him of his life, his horse, and $150 in cash money. Mattie leaves home to avenge her father's blood. With the one-eyed Rooster Cogburn, the meanest available U.S. Marshal, by her side, Mattie pursues the homicide into Indian Territory.

True Grit is eccentric, cool, straight, and unflinching, like Mattie herself. From a writer of true cult status, this is an American classic through and through. This new edition, with a smart new package and an afterword by acclaimed author Donna Tartt, will bring this masterpiece to an even broader audience.



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Timbuktu by Paul Auster

Timbuktu by Paul Auster is an interesting book to pick up if you're looking for something interesting to read. This point of view story follows a dog and homelessness in a unique voice that isn't seen often in the literary or cinema world.

Here is a review of the book Timbuktu by Paul Auster from amazon online:

In Timbuktu Paul Auster tackles homelessness in America using a dog as his point-of-view character. Strange as the premise seems, it's been done before, in John Berger's King, and it actually works. Filtering the homeless experience through the relentlessly unsentimental eye of a dog, both writers avoid miring their tales in an excess of melodrama. Whereas Berger's book skips among several characters, Timbuktu remains tightly focused on just two: Mr. Bones, "a mutt of no particular worth or distinction," and his master, Willy G. Christmas, a middle-aged schizophrenic who has been on the streets since the death of his mother four years before. The novel begins with Willy and Mr. Bones in Baltimore searching for a former high school English teacher who had encouraged the teenage Willy's writerly aspirations. Now Willy is dying and anxious to find a home for both his dog and the multitude of manuscripts he has stashed in a Greyhound bus terminal. "Willy had written the last sentence he would ever write, and there were no more than a few ticks left in the clock. The words in the locker were all he had to show for himself. If the words vanished, it would be as if he had never lived."

Paul Auster is a cerebral writer, preferring to get to his reader's gut through the brain. When Willy dies, he goes out on a sea of words; as for Mr. Bones, this is a dog who can think about metaphysical issues such as the afterlife--referred to by Willy as "Timbuktu":

What if no pets were allowed? It didn't seem possible, and yet Mr. Bones had lived long enough to know that anything was possible, that impossible things happened all the time. Perhaps this was one of them, and in that perhaps hung a thousand dreads and agonies, an unthinkable horror that gripped him every time he thought about it.

Once Willy dies and Mr. Bones is on his own, things go from bad to worse as the now masterless dog faces a series of betrayals, rejections, and disappointments. By stepping inside a dog's skin, Auster is able to comment on human cruelties and infrequent kindnesses from a unique world view. But reader be warned: the world in Timbuktu is a bleak one, and even the occasional moments of grace are short lived. --Alix Wilber



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Pastoralia by George Saunders

Pastoralia by George Saunders is the recommended book of the day, and it is definitely an interesting one to note. If you haven't heard of George Saunders, then wake up!

Here is a review of Pastoralia by George Saunders from amazon online:

In both his acclaimed debut, CivilWarLand in Bad Decline, and his second collection, Pastoralia, George Saunders imagines a near future where capitalism has run amok. Consumption and the service economy rule the earth. The Haves are grotesque beings, mutilated by their crass desires and impossible wealth. The Have Nots are no less crippled, both emotionally and physically, by their inferior status. It's a kind of Westworld scenario, but instead of robots, the serving wenches, bellboys, and extras are real people, all of them mercilessly indentured by the free market.

Sounds like bleak stuff, doesn't it? Yet Saunders handles his characters with grace and humor. In the title story, for example, a couple occupies a squalid corner of a human zoo, where they act out a parody of caveman times, communicating in grunts and hand motions (speaking is instantly punishable by the Orwellian management) and conducting their lives during 15-minute smoke breaks. In "Winky," a born loser (really, all of Saunders's characters are born losers) visits a self-help seminar, where he's encouraged to rid himself of all those people who are "crapping in your oatmeal." Exhilarated at the prospect of dumping his simple, crazy-haired, religion-besotted sister, he returns home to the bleak discovery that he needs her as much as she needs him. The protagonist of "Sea Oak" works as a stripper in an aviation-themed restaurant and lives next to a crack house with his unemployed sisters, their babies, and a sweet old maid of an aunt. The aunt dies, and then returns from the grave--not so sweet, now, and still decomposing--with strange powers and a sobering message:

You ever been in the grave? It sucks so bad! You regret all the things you never did. You little bitches are going to have a very bad time in the grave unless you get on the stick, believe me!

The characters and situations in the rest of Pastoralia are equally wretched. But Saunders rescues them from utter despair with a loving belief in the triumph of the human spirit: yes, things can always get worse, but worse is better than the cold dirt of the grave. And in the small space between wretchedness and death there is plenty of room for laughter, and even love. --Tod Nelson

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The Book of Genesis Illustrated by R. Crumb by R. Crumb

The Book of Genesis Illustrated by R. Crumb by R. Crumb is the much talked about book that gets a literal graphic novel translation of an epic book of sorts. It's an interesting thing to see, especially since R. Crumb has been out of the spotlight for a while now.

From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before. Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.

Now, readers of every persuasion—Crumb fans, comic book lovers, and believers—can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.”

As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses. .



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Blonde by Joyce Carol Oates

Blonde by Joyce Carol Oates is an interesting book for fans of Norma Jean aka Marilyn Monroe. This clever take on her life is an amazing piece of work and it got major success and acclaim.

Here's more information about Blonde by Joyce Carol Oates from amazon.com, including a review of the book:

In her most ambitious work to date, Joyce Carol Oates boldly reimagines the inner, poetic, and spiritual life of Norma Jeane Baker -- the child, the woman, the fated celebrity and idolized blonde the world came to know as Marilyn Monroe. In a voice startlingly intimate and rich, Norma Jeane tells her own story of an emblematic American artist -- intensely conflicted and driven -- who had lost her way. A powerful portrait of Hollywood's myth and an extraordinary woman's heartbreaking reality, Blonde is a sweeping epic that pays tribute to the elusive magic and devastation behind the creation of the great twentieth-century American star.

It is surprising and shocking to realize that Joyce Carol Oates, one of the great writers living today, has never made The New York Times bestseller list (at least not in recent memory). Far less talented (and less famous) authors have made it while she, in all likelihood not caring much, has been shut out. That could easily change with her new novel, Blonde, which may be the masterpiece of a staggeringly distinguished career.

This 700-plus-page tome is based on the life of (you guessed it) Marilyn Monroe. In fictional form, with names changed (husband Joe DiMaggio is referred to as "The Ex-Athlete," Arthur Miller as "The Playwright," John F. Kennedy as "The President," for example), this may be the most accurate and compelling portrait of this beautiful and complex woman that one is ever likely to read.

But why discuss it on the mystery page, you might well be asking yourself. It was the author's intent to structure the book as a mystery, and of course she succeeds, as she seems to succeed at everything she attempts in the world of letters. And there is a murder, apparently arranged by a secret government bureau (FBI? CIA?), although that could be the victim's hallucination. Of course, it could also be both real and hallucinated (remember, even paranoids have enemies).

If you like biographies, you'll like Blonde. If you like novels, you'll like Blonde. If you like mysteries, you'll like Blonde. And if you fear that more than 700 pages by one of the greatest of living literary lions might be tough slogging, here's a little excerpt from the chapter titled "The President's Pimp:"

Sure he was a pimp.

But not just any pimp. Not him!

He was a pimp par excellence. A pimp nonpareil. A pimp sui generis. A pimp with a wardrobe, and a pimp with style. A pimp with a classy Brit accent. Posterity would honor him as the President's Pimp.

A man of pride and stature: the President's Pimp.

At Rancho Mirage in Palm Springs in March 1962 there was the President poking him in the ribs with a low whistle. "That blonde. That's Marilyn Monroe?"

He told the President yes it was. Monroe, a friend of his. Luscious, eh? But a little crazy.

Thoughtfully, the President asked, "Have I dated her yet?"

Nothing inaccessible about Joyce Carol Oates, especially in this most readable and relentlessly fascinating study of the lovely woman with whom the whole country was at least a little in love. --Otto Penzler



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House of Leaves by Mark Z. Danielewski

Today's reading recommendation is definitely nothing crazy in the graphic design world, the cover leaves a lot to be desired. But it seems really interesting to say the least. Check out this interesting book entitled, House of Leaves by Mark Z. Danielewski. It is quite the literary success, as it is something that ties together so much more than traditional book offerings.

Had The Blair Witch Project been a book instead of a film, and had it been written by, say, Nabokov at his most playful, revised by Stephen King at his most cerebral, and typeset by the futurist editors of Blast at their most avant-garde, the result might have been something like House of Leaves. Mark Z. Danielewski's first novel has a lot going on: notably the discovery of a pseudoacademic monograph called The Navidson Record, written by a blind man named Zampanò, about a nonexistent documentary film--which itself is about a photojournalist who finds a house that has supernatural, surreal qualities. (The inner dimensions, for example, are measurably larger than the outer ones.) In addition to this Russian-doll layering of narrators, Danielewski packs in poems, scientific lists, collages, Polaroids, appendices of fake correspondence and "various quotes," single lines of prose placed any which way on the page, crossed-out passages, and so on.
Now that we've reached the post-postmodern era, presumably there's nobody left who needs liberating from the strictures of conventional fiction. So apart from its narrative high jinks, what does House of Leaves have to offer? According to Johnny Truant, the tattoo-shop apprentice who discovers Zampanò's work, once you read The Navidson Record,

For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.

We'll have to take his word for it, however. As it's presented here, the description of the spooky film isn't continuous enough to have much scare power. Instead, we're pulled back into Johnny Truant's world through his footnotes, which he uses to discharge everything in his head, including the discovery of the manuscript, his encounters with people who knew Zampanò, and his own battles with drugs, sex, ennui, and a vague evil force. If The Navidson Record is a mad professor lecturing on the supernatural with rational-seeming conviction, Truant's footnotes are the manic student in the back of the auditorium, wigged out and furiously scribbling whoa-dude notes about life.
Despite his flaws, Truant is an appealingly earnest amateur editor--finding translators, tracking down sources, pointing out incongruities. Danielewski takes an academic's--or ex-academic's--glee in footnotes (the similarity to David Foster Wallace is almost too obvious to mention), as well as other bogus ivory-tower trappings such as interviews with celebrity scholars like Camille Paglia and Harold Bloom. And he stuffs highbrow and pop-culture references (and parodies) into the novel with the enthusiasm of an anarchist filling a pipe bomb with bits of junk metal. House of Leaves may not be the prettiest or most coherent collection, but if you're trying to blow stuff up, who cares? --John Ponyicsanyi



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Super-Cannes by J. G. Ballard

Super-Cannes by J.G. Ballard is an interesting book with an even more interesting cover. Seriously, check this thing out, it evokes a certain sense of emotion. Super-Cannes is today's recommendation.

Check out this review of Super-Cannes by J.G. Ballard from Amazon.com to you:

The connoisseur of the bizarre (Cocaine Nights, The Atrocity Exhibition, etc.) turns his attentions to the globalized corporate elite in his 26th book. Crippled aviator Paul Sinclair ("I counted the titanium claws that held the kneecap together") accompanies his young wife, Jane, to her new posting at a luxurious corporate park on the French Riviera. A manicured paradise of multinational conglomerate HQs and their executives' villas, Eden-Olympia (which the author has modeled on the current business parks of Antibes-les-Pins and Sophia-Antipolis) is managed by a seductive yet sinister psychiatrist named Wilder Penrose, who ensconces the Sinclairs in the house of a former local doctor named Greenwood, who one day went on a suicidal murder spree, leaving 10 dead. In short Ballardesque order, the Sinclairs become estranged from one another: Jane falls into heroin-fueled m‚nages with the Belgian couple next door; Paul takes up tranquilizers and trysts with an Eden-Olympia vamp. Paul becomes obsessed with unraveling the mystery of the massacre, coming almost to identify with Greenwood. His efforts eventually reveal the horrifying true nature of Eden-Olympia, where the most bestial drives of corporate executives are harnessed in Brownshirt-style "therapy sessions" to create optimum working efficiency. Paul's collision course with the psychopathic Penrose is a new twist on Ballard's weird neo-romanticism, whereby our self-defining "latent psychopathy" is put to use to save society rather than to revel in hedonistic defiance of it (… la Crash). Ballard actually seems to have penned a story with a clear-cut hero (if the reader overlooks Paul's drug use and pedophiliac urges) and villain ("I don't want to start a race war or not yet"), with the fate of civilization in the balance. This novel, for all the author's trademark grotesqueries, may be Ballard's most commercially viable yet.



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The Namesake by Jhumpa Lahiri

If you've seen the movie, you might have missed the book. The Namesake is an interesting book and it's an amazing piece of literature from around the globe! The Namesake by Jhumpa Lahiri is our recommended book for today, enjoy reading.

Jhumpa Lahiri's debut story collection, Interpreter of Maladies, took the literary world by storm when it won the Pulitzer Prize in 2000. Fans who flocked to her stories will be captivated by her best-selling first novel, now in paperback for the first time. The Namesake is a finely wrought, deeply moving family drama that illuminates this acclaimed author's signature themes: the immigrant experience, the clash of cultures, the tangled ties between generations.

The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of an arranged wedding, Ashoke and Ashima Ganguli settle in Cambridge, Massachusetts, where Ashoke does his best to adapt while his wife pines for home. When their son, Gogol, is born, the task of naming him betrays their hope of respecting old ways in a new world. And we watch as Gogol stumbles along the first-generation path, strewn with conflicting loyalties, comic detours, and wrenching love affairs.

With empathy and penetrating insight, Lahiri explores the expectations bestowed on us by our parents and the means by which we come to define who we are.



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After the Quake: Stories by Haruki Murakami

Today's recommendation is After the Quake: Stories by Haruki Murakami, which is an interesting read of mixed stories from around the globe! Well, mainly from the mind of Haruki Murakami, acclaimed Japanese writer.

The six stories in Haruki Murakami’s mesmerizing collection are set at the time of the catastrophic 1995 Kobe earthquake, when Japan became brutally aware of the fragility of its daily existence. But the upheavals that afflict Murakami’s characters are even deeper and more mysterious, emanating from a place where the human meets the inhuman.

An electronics salesman who has been abruptly deserted by his wife agrees to deliver an enigmatic package—and is rewarded with a glimpse of his true nature. A man who has been raised to view himself as the son of God pursues a stranger who may or may not be his human father. A mild-mannered collection agent receives a visit from a giant talking frog who enlists his help in saving Tokyo from destruction. As haunting as dreams, as potent as oracles, the stories in After the Quake are further proof that Murakami is one of the most visionary writers at work today.

And here is a review of the book from Amazon online:

Haruki Murakami, a writer both mystical and hip, is the West's favorite Japanese novelist. Perhaps unsurprisingly, Murakami lived abroad until 1995. That year, two disasters struck Japan: the lethal earthquake in Kobe and the deadly poison gas attacks in the Tokyo subway. Spurred by these tragic events, Murakami returned home. The stories in After the Quake are set in the months that fell between the earthquake and the subway attack, presenting a world marked by despair, hope, and a kind of human instinct for transformation. A teenage girl and a middle-aged man share a hobby of making beach bonfires; a businesswoman travels to Thailand and, quietly, confronts her own death; three friends act out a modern-day Tokyo version of Jules and Jim. There's a surreal element running through the collection in the form of unlikely frogs turning up in unlikely places. News of the earthquake hums throughout. The book opens with the dull buzz of disaster-watching: "Five straight days she spent in front of the television, staring at the crumbled banks and hospitals, whole blocks of stores in flames, severed rail lines and expressways." With language that's never self-consciously lyrical or show-offy, Murakami constructs stories as tight and beautiful as poems. There's no turning back for his people; there's only before and after the quake. --Claire Dederer



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